I had the pleasure recently to be on the podcast called The Illustration Department. We discussed art, cartooning, illustration and The New Yorker. I spoke with founder, Giuseppe Castellano. Here is the link.
Tag: cartooning
My Left Hand vs My Right Hand: Creativity Revisited
Breaking a bone is common, but when it happens to you, it’s all consuming. I broke my arm a few months back, and wrote about it for The New York Times. For the first time in my life, during the healing process, I couldn’t draw with my right hand. I got to know my left had very well, and wrote about it. The Times published some of the drawings and writing about the experience in the Sunday Op Ed section (7/22/18) and online. Here is the link.
During the months of healing, The New Yorker published one of my drawings that I did with my left hand! 
And here are some of the drawings.
Evolution of a political cartoon for The New Yorker
Last week, I got a cartoon okay-ed by The New Yorker, which means my editor emailed me and said they wanted to buy a rough cartoon that I submitted that week. This one was political, and they wanted to run it in the next issue, which meant I had to do the finished drawing and email it to them by the next day. I love it when this happens…it has happened a few times for me. Maybe I’m a frustrated journalist–I love the buzz of news and reporting and commenting.
The issue I drew about was the McChrystal firing. The drawing (link in the magazine here) I share with you below. The idea of a general’s medals being for things other than bravery, etc, is not a new one for me. I have tried it before in cartoons that did not sell. Medals for not saying the word peace, medals for driving a hybrid….but this time, I used the format again and it was the magic formula. Cartoonists often do this– rework settings, formats, words with new ideas.
Not that this came easily. In my head and on the many pages of paper on my desk, I tried numerous different approaches to the McChrystal affair before I drew this one. There are countless ways to get at a subject, the key is to find a way to poke fun in a manner that will allow the cartoon to last beyond the immediate circumstances.
(copyright The New Yorker Magazine and Liza Donnelly)