Tag: cartoon

Ideas and Words

Sometimes ideas spring from just one word.  But it has to be the right word.  Doing a cartoon around the word “uprising” would be difficult. Plus, it’s not a very interesting word.  “Revolution” could lead to a lot of things.  But the word “protest” is more malleable, it can fit into many situations. It’s not an interesting word, but it is a buzz-word in the public’s mind right now, so using it at this moment in time works.

While the above idea is not really what I want to say about all the turmoil that is going on in the Middle East, you sometimes just have to go with the flow as to where words take you. Political cartoons in The New Yorker are often oblique, and are about how events affect people often far removed from the events. And unlike editorial cartoons, they are not necessarily about my opinion.  I am an observer.

I often say that cartoonists are sponges, soaking up all that is around us and then squeezing it out into ideas. But we are also grabbers, snatching ideas and words–I envision a butterfly net– as they float in the air around us. We put them on our papers and mold them into cartoons.

cartoon originally published on womensEnews.org

Risk Taking


We Americans try to understand and sympathize with what is going on in Egypt.  It’s hard, but the least that we can do is try, like this misguided woman in the cartoon above.

An article in the New York Times recently profiled 26 year old Egyptian protest organizer, Asmaa Mahfouz.  Ms. Mohfouz had posted a video on youtube–a daring act by a woman in that part of the world–explaining her work and passion in helping to organize the uprising in Egypt.  She says,

“I felt that doing this video may be too big a step for me, but then I thought: For how much longer will I continue to be afraid and hesitant? I had to do something.”

How many of us American women have felt that? About anything–asking for a raise, a job, respect. Granted, it is not life-threatening for us to take risks in most cases, as it is in Ms. Mahfouz’s part of the world.  In our country, the decision to wear pants, when you know everyone else will wear a dress, is scary. That’s how different–or similar–we are with women in the Middle East.

I noticed on television, and read in the New York Times and DoubleX, that there are more women involved in the uprising in Egypt than in previous protests in the region. It was refreshing to see their faces on the streets, chanting and hoping for freedom along with their male counterparts. Who knows, could the measure of peace in the protests have anything to do with their presence in the square?  I wonder.

When women take risks, and try to change things, it benefits all.  Amr Hamzawy, a research director at the Carnegie Middle East Center who has spent most of the last week in central Cairo, said,  “It’s very impressive. It’s not about male and female, it’s about everyone.”

When Do They Serve The Wine?

Last fall, Chronicle Books published my latest book, When Do They Serve the Wine? The title is based on a cartoon in the book, which is all about the humorous world of being a woman.  I lampoon women of all generations, poking at the many things we do in, and that are done to us by, our culture.  To see me talk about the book and how I came to write it, see the video (link here)  that is posted below or to the right. My blog, whendotheyservethewine.com was started to help get the word out about the book, but has since morphed into writing and cartooning about all kinds of things from politics to pop culture. To see more, go to my blog, or click here.

Launch Party for When Do They Serve The Wine?

Zachary Kanin,Drew Dernavich, Barbara Smaller, Liza Donnelly, Roz Chast

November 17th, The Society of Illustrators and Chronicle Books held a fun event to celebrate the publication of my new book,

When Do They Serve The Wine? We began with a round table discussion about style and voice, with the above New Yorker Cartoonists.  Then the party!  For a slide show of photos, go to: http://whendotheyservethewine.wordpress.com/2010/11/19/launch-party/

Evolution of a political cartoon for The New Yorker

Last week, I got a cartoon okay-ed by The New Yorker, which means my editor emailed me and said they wanted to buy a rough cartoon that I submitted that week.  This one was political, and they wanted to run it in the next issue, which meant I had to do the finished drawing and email it to them by the next day. I love it when this happens…it has happened a few times for me. Maybe I’m a frustrated journalist–I love the buzz of news and reporting and commenting.

The issue I drew about was the McChrystal firing. The drawing (link in the magazine here) I share with you below. The idea of a general’s medals being for things other than bravery, etc, is not a new one for me. I have tried it before in cartoons that did not sell. Medals for not saying the word peace, medals for driving a hybrid….but this time, I used the format again and it was the magic formula. Cartoonists often do this– rework settings, formats, words with new ideas.

Not that this came easily. In my head and on the many pages of paper on my desk, I tried numerous different approaches to the McChrystal affair before I drew this one. There are countless ways to get at a subject, the key is to find a way to poke fun in a manner that will allow the cartoon to last beyond the immediate circumstances.

(copyright The New Yorker Magazine and Liza Donnelly)